Thug Life, an action-drama, was released in theaters on June 5, 2025. Directed by Mani Ratnam and scripted by both Mani Ratnam and Kamal Haasan, the film has a runtime of two hours. It’s presented by Raaj Kamal Films International, Madras Talkies, and Red Giant Movies, and produced by Kamal Haasan, R. Mahendran, Mani Ratnam, Siva Ananth, and Udhayanidhi Stalin.
Thug Life 2025 Movie Overviews

Movie Name | Thug Life 2025 Movie |
Original Language | Tamil |
Spoken Language | Hindi |
Release Date | 5 June 2025 |
Runtime | 2 hour and 00 minutes |
Country | India |
Genres | Action Drama |
Writer | Mani Ratnam, Kamal Haasan |
Director | Mani Ratnam |
Producer | Kamal Haasan, R. Mahendran, Mani Ratnam, Siva Ananth, Udhayanidhi Stalin |
Production Co. | Raaj Kamal Films International, Madras Talkies, Red Giant Movies |
Thug Life 2025 Movie Screenshots



Thug Life 2025 Movie Star Cast
Actor | Role |
---|---|
Kamal Haasan | Rangaraaya Sakthivel Naicker |
Silambarasan | Amaran, Rangaraaya Sakthivel Naicker’s adopted son |
Trisha Krishnan | Indhrani |
Abhirami | Ranganayaki |
Ashok Selvan | A cop |
Nassar | Rangaraaya Manickavel Naicker |
Pankaj Tripathi | Role not specified |
Sanjana Krishnamoorthy | Rangaraaya Sakthivel Naicker’s daughter |
Mahesh Manjrekar | A Minister |
Thug Life 2025 Movie Trailer
Thug Life 2025 Movie Review
Thug Life is a dull gangster drama that starts off with a glimmer of intrigue but quickly loses its footing.
The first half has a few engaging moments, mainly due to its setup and occasional narrative sparks. There’s just enough to keep things mildly interesting early on. However, the second half is a complete letdown—plodding, predictable, and lacking in momentum. Mani Ratnam opens the story with promise but fails to maintain pace or emotional depth, resulting in a painfully slow and uninspired narrative.
One of the film’s biggest disappointments is AR Rahman’s background score. While a few tracks show promise, the music largely feels mismatched and fails to elevate the storytelling.
Performance-wise, the casting is spot-on. Kamal Haasan commands the screen effortlessly, while Simbu brings energy but is let down by weak writing. Trisha’s role is underwritten and feels largely irrelevant to the plot. The film’s standout technical aspects are its impressive production design and Ravi K. Chandran’s striking cinematography, which add some polish to an otherwise forgettable story.
In the end, Thug Life offers a mildly engaging first half followed by a tedious and uninspired second. A few good moments and visuals aside, it fails to deliver on its promise. Disappointing overall.