The Hindi film Sinners falls under the Horror and Adventure subgenres. Directed and written by Ryan Coogler, it is presented by Warner Bros. Pictures, Proximity Media, and Domain Entertainment, with production by Zinzi Coogler, Sev Ohanian, and Ryan Coogler. Released in theaters on April 18, 2025, the movie runs for 2 hours and 17 minutes.
Sinners 2025 Movie Overview
| Movie Name | Sinners 2025 Movie |
| Original Language | English |
| Spoken Language | – |
| Release Date | 18 April 2025 |
| Runtime | 2 hour and 17 minutes |
| Country | United States |
| Genres | Horror Adventure |
| Writer | Ryan Coogler |
| Director | Ryan Coogler |
| Producer | Zinzi Coogler, Sev Ohanian, Ryan Coogler |
| Production Co. | Warner Bros. Pictures, Proximity Media, Domain Entertainment |
Sinners 2025 Movie Screenshot
Sinners 2025 Movie Star Cast
| Actor | Role (if known) |
| Michael B. Jordan | Smoke / Stack |
| Hailee Steinfeld | Mary |
| Jack O’Connell | Remmick |
| Jayme Lawson | Pearline |
| Omar Benson Miller | Cornbread |
| Delroy Lindo | Delta Slim |
| Li Jun Li | Grace Chow |
| Lola Kirke | Joan |
| Yao | Bo Chow |
| Peter Dreimanis | Bert |
| Saul Williams | Jedidiah |
| David Maldonado | Hogwood |
| Andrene Ward-Hammond | Ruthie |
| Tenaj L. Jackson | Beatrice |
| Nicoye Banks | Jacob |
Sinners 2025 Movie Trailer
Sinners 2025 Movie Review
Sinners opens with a stunning yet baffling sequence—one so visually striking that its disconnect from the rest of the film feels like a missed opportunity rather than an intentional choice. At first, this could be dismissed as an isolated misstep, but as the story unfolds, it becomes clear that the film suffers from a deeper identity crisis. Rather than weaving its disparate elements into a cohesive whole, Sinners lurches between genres—shifting from a brooding Southern drama to a vampire horror flick to a heavy-handed social commentary—without ever finding a unifying thread. The result is a movie that feels like three different scripts haphazardly spliced together, held in place only by clunky, on-the-nose dialogue that leaves no room for nuance.
Pacing exacerbates the problem. The first two acts drag endlessly, bloated with underdeveloped character arcs that lead nowhere, while the third act rushes to a conclusion as if the filmmakers suddenly realized they were out of time. Even more frustrating is the wasted potential of its cast—most of whom are saddled with arcs that simply fizzle out. The only character who gets a complete journey is, ironically, the least compelling of the bunch.
There are glimpses of something compelling here—moments of tension, arresting visuals, and a bold, if messy, ambition. But without a clear vision or narrative discipline, Sinners collapses under the weight of its own contradictions.
