The Hindi film “Jewel Thief” is an Action-Drama directed by Kookie Gulati and Robbie Grewal, with a script by Sumit Arora. Presented by Marflix Pictures and produced by Siddharth Anand and Mamta Anand, the movie released in theaters today, April 25, 2025. It has a runtime of 1 hour and 56 minutes.
Jewel Thief 2025 Movie Overview
| Movie Name | Jewel Thief 2025 Movie |
| Original Language | Hindi |
| Spoken Language | Hindi |
| Release Date | 25 April 2025 |
| Runtime | 1 hour and 56 minutes |
| Country | India |
| Genres | Action Drama |
| Writer | Sumit Arora |
| Director | Kookie Gulati, Robbie Grewal |
| Producer | Siddharth Anand, Mamta Anand |
| Production Co. | Marflix Pictures |
Jewel Thief 2025 Movie Screenshot
Jewel Thief 2025 Movie Star Cast
| Actor | Character |
|---|---|
| Saif Ali Khan | Rehan Roy |
| Jaideep Ahlawat | Rajan Aulakh |
| Nikita Dutta | Farah |
| Kunal Kapoor | Vikram Patel |
Jewel Thief 2025 Movie Trailer
Jewel Thief 2025 Movie Review
Directors Kookie Gulati and Robbie Grewal aimed for a slick heist thriller packed with exotic locations, relentless plot twists, and larger-than-life characters spouting clichéd dialogue, but Jewel Thief: The Heist Begins (2025) falls spectacularly short. Even for a stylized heist film, some semblance of logic is essential—yet this movie abandons it entirely.
How does Rehan Roy (Saif Ali Khan) consistently outwit an entire nation’s police force? How does he seamlessly juggle roles as a master thief, hacker, skilled fighter, and charming seducer of another man’s wife while always staying ahead of both cop Vikram Patel (Kunal Kapoor) and crime lord Rajan Aulakh (Jaideep Ahlawat)? Rehan’s near-superhuman feats—such as impersonating a doctor mid-flight despite an active search warrant—strain credulity to the breaking point. These are just a few of the film’s glaring, logic-defying plot holes that leave viewers baffled, wondering, “What is even happening?”
The airplane heist sequence stands out as particularly absurd, ranking among the most nonsensical scenes in recent memory. The writing for the characters is equally weak, failing to resonate or build meaningful connections. The romance between Saif Ali Khan and Nikita Dutta lacks spark, while the anticipated tension between Khan and Ahlawat’s characters feels flat and unconvincing. Kunal Kapoor’s Vikram, a pale imitation of Abhishek Bachchan’s cop from the Dhoom series, is the most poorly written, reduced to repeatedly failing to catch Rehan and expressing cartoonish frustration.
