The film “Chaurya Paatham” is a Thriller and Drama directed by Nikhil Gollamari. The script was written by Karthik Gattamneni, and the movie was presented by Nakkina Narratives and produced by Trinadha Rao Nakkina. “Chaurya Paatham” was released on OTT on May 14, 2025, and has a runtime of 1 hour and 42 minutes.
Chaurya Paatham 2025 Movie Overviews
| Movie Name | Chaurya Paatam 2025 Movie |
| Original Language | Telugu |
| Spoken Language | Hindi |
| Release Date | 14 May 2025 |
| Runtime | 1 hour and 42 minutes |
| Country | India |
| Genres | Thriller Drama |
| Writer | Karthik Gattamneni |
| Director | Nikhil Gollamari |
| Producer | Trinadha Rao Nakkina |
| Production Co. | Nakkina Narratives |
Chaurya Paatham 2025 Movie Screenshot
Chaurya Paatham 2025 Movie Star Cast
| Actor/Actress | Role |
|---|---|
| Indhra Ram | Vedanth Ram |
| Payal Radhakrishna | Anjali |
| Saleem Pheku | Bablu Kumar |
| Anji Valguman | Jack Dan |
| Edward Stevenson | Shivay |
| Madee Manepalli | [Role not specified] |
Chaurya Paatham 2025 Movie Trailer
Chaurya Paatham 2025 Movie Review
Indhra Ram’s performance in Chaurya Paatam feels restricted, sticking to a single expression throughout. He needs to refine his emotional range and acting skills to elevate his craft. Payal Radhakrishna delivers a decent performance and looks striking on screen but lacks substantial opportunities to showcase her acting prowess. Supriya Ayosula shines as the Sarpanch, leaving a strong impression with her expressive and emotionally impactful performance. Rajeev Kanakala is saddled with a minor, forgettable role. Mast Ali, Saleem Pheku, Anji Valguman, and Edward Stevenson (as the inspector) are adequate but unremarkable, each performing as their roles demand.
Written by Karthik Ghattamaneni and directed by Nikhil Gollamari, Chaurya Paatam aims to entertain with a comedic money-heist drama. While the concept seems promising, it treads familiar ground, echoing many similar films. The opening scenes feel clichéd, silly, and dated. Ghattamaneni’s story lacks originality, and Gollamari’s screenplay and direction lean heavily on predictable tropes. An interval twist sparks mild curiosity for the second half, but it’s not enough to overcome the routine storytelling.
